Friday, February 4, 2011

HORSE RACING: FACT




I'm on a bit of a horse racing kick right now, some fiction, some not. After reading a novel I'll review later, I decided I wanted to read about a jockey. The pickings are slim in our system and I opted for Yankee Doodle Dandy, about Tod Sloan. I felt good about this pick because within an hour after putting in the request for it, I checked Baseball-Reference's This Day In History section and there, on that very day, was something about jockey Tod Sloan buying a billiards parlor with New York Giants manager John McGraw. I figured if he was a business partner of McGraw's, he has to be an interesting fellow.

After reading the book, it's hard to say. Despite being touted as a biography on Tod Sloan, the majority of it is a history of horse racing through the end of the 19th Century. I think the author did this to flesh out the book since there wasn't a whole lot of source material on Sloan.

Sloan was most noted for supposedly being the fellow who popularized the current style of riding a racehorse; leaning forward and being up around the neck and head. Before Sloan, riders sat upright back in the saddle and rode like you see in Westerns.

Most of Sloan's success came abroad, even serving as the jockey for Edward, Prince of Wales's entry in the Epsom Derby. His success was rather short, though, as the British Jockey Club accused him of taking money from owners as gifts and wagering on races. He was banned from racing in England and the ban was enforced in America as well ending Sloan's career.

Sloan was such a popular figure that George Cohan wrote a musical, Little Johnny Jones, that was based on Sloan. This is the musical that gave the world the songs "Yankee Doodle Boy" and "Give My Regards to Broadway".

I found the book somewhat interesting but wish it had been honest in it's title. It's really only the last couple of chapters that deal significantly with Sloan. There's one chapter in which Sloan merits only a single paragraph. What bugged me the most about the book was the lack of citations and how it tied in to Dizikes' writing and research. I thought Dizikes' writing was pretty bland and a large amount of his writing is cobbling together fragments of sentences from newspapers. He then sometimes cites them (citations were really haphzard) in clusters in the endnotes. So you'll read a paragraph which contains four or five quotes of a few words apiece, turn to see from where they came, and just find a list of newspapers with no indication of what came from where. I thought it was really lackadaisical and unprofessional, especially from a college professor who also has won the National Book Critics Circle Award. While not an awful book, it annoyed me enough not to recommend it.

I then read Timothy Capps' biography on the horse Secretariat. It is part of the Thoroughbred Legends series that Eclipse Press put out. Unfortunately, the library system does not have any of the books in this series. These are really handsome books. I actually feel that the dustjacket detracts from the overall quality of the book. While the dustjacket is understated, the book itself contains the sepia-toned photo shown on the dustjacket on the cover which is a lovely red with a gold-embossed title and spine. Add a built-in ribbon bookmarker and it's a nice book. Sadly, they reissued the series of 24 books in softcover. I miss the days when books could be works of art. While I wouldn't go that far with this, it is mighty nice.

But books are for reading, and this was an OK read. The book has small dimensions and large margins which makes for a small amount of text for a 220+ page book. And it is about a horse so the content isn't dazzling. Secretariat was an amazing horse, one of a handful that transcended the sport. Mention the name and even non-racing fans know something. But still, what can you write about a horse?

Well, the author begins by talking about the farm on which Secretariat was eventually born and raised. He then goes into a chapter which reads like the beginning of the Book of Matthew ("Abraham begat Isaac; and Isaac begat Jacob; and Jacob begat Judas and his brethren") only with horses. Then we get into Secretariat's career. This portion is the most interesting and Capps reports the races very nicely and discusses some of the rival horses that Secretariat faced.

Rival might be a bit strong of a word. The only time Secretariat finished outside of the top three in a race was his first race, where he finished fourth. The only time he was not the favorite in a race, he went off at 3-2 odds.

Of course, nothing demonstrated the lack of a rivalry better than Secretariat's romp at the Belmont Stakes:



Secretariat was retired after his three-year old season. The book talks about his career at stud and the relative lackluster nature of that career and then ends in a really goofy way with a fantasy race call between Secretariat and Man O'War. Lame way to end.

Not a bad book but not good either. It referenced Bill Nack's biography of Secretariat a couple of times, a book I own but have not read. Maybe sometime in the near future. The link I provided is to the newest reissue of the biography which the library system has. It was reissued in conjunction with the movie Secretariat.

Ah, yes, the movie. We just got that in at Strasburg and so I had to watch it. Didn't like it one bit. The movie was hardly about Secretariat but rather focused on his owner, Penny Chenery Tweedy. Instead of being about one of the greatest racehorses ever, the movie was about a woman succeeding in a man's world. That's fine, especially if you don't mind the Disnifying of facts, but then call it what it is. Secretariat was more a piece of scenery than he was the focus of the movie. I thought John Malkovich was entertaining as trainer Lucien Laurin. Otherwise there was little about the movie I liked. If you want to watch a better Disnified horse racing movie, I'd recommend Seabiscuit. Better story, better acting, better racing scenes, better everything.

--Jon

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